Something painterly is happening on pots, placemats, tables and vessels. Not the clean, smooth sort of painting we tend to want on our walls. This is more irregular brush strokes, free-hand colour-blocking or watercolours bleeding together in pleasing abstract patterns. As imperfect as this sounds, the results are quite lovely.
These textured ceramic vessels are by Barry Stedman, whose work is influenced by his sketches and paintings of nature. Ever the way, they look especially lovely in a group. Similarly, hand-painted table textiles by Naomi Clark include enough place mats to provide a different one for every guest at a large dinner party. Perfect for the whole mis-matched dining chairs look we’ve come to accept as a fairly ordinary thing.
Above is a lovely standalone piece of glassware by Adam Aaronson for your sideboard, alongside Melting Pot table by Dirk van der Kooij, which is a clever piece of repurposing – the designer uses melted-down waste from his production of other chairs and tables to form this striking new piece.
A wonderful urn by Hilda Hellström, which resembles marble, but with psychedelic veins. It’s made from layers of pigmented Jesmonite, a non-toxic acrylic-based plaster that is more commonly used in ceilings and restoration work. The perfect mantelpiece friend for Pia Wüstenberg‘s Paper vessel, formed out of a glass cylinder with paper rings that you can swap around the order of, creating your own take on the look of bleeding watercolours.
Whatever the material, if it looks as though it’s met a paint brush then it’s on trend.